Showing posts with label Noah. Show all posts
Showing posts with label Noah. Show all posts

Monday, January 19, 2009

A little Nuke and the world explodes

Well, I realize this is a post that is happening a week after Luke and Noah had sex on ATWT. In my defense, I have been away at a family funeral. In addition, though, I really wanted to let the event gestate a bit. There has been so much written about it (hence the explosion of the title), and so much of it was contrary to what I thought I saw, I needed to let it all percolate. If you missed it, here is what I'm talking about:



In the end, my thoughts about the event are positive, and in line with Nelson Branco's quote from Sri Rao (writer of Night Shift 2): “Good for them. One small step for Nuke, one giant leap for daytime...”

Rao should know. He accomplished, with Night Shift 2, what daytime had failed to do: tender conversations between two men who really got to know each other, were confident in their sexuality (for the most part), and for whom a kiss was not a huge deal, but just beautifully tender and arousing to almost anyone who saw it. If you missed it, I mean this.



For me, Nuke sex was beautiful because (a) of the passion we got see leading up to it, (b) because NO LONGER can it be denied that Luke (scion of a core family) is a sexual being who -- yup -- has actually seen his love naked and actually related to him in a sexual way. (Make no mistake about it...there was contingent out there that thought Luke's celibacy was an 'appropriate' response to his 'wrong' attractions), and (c) because it is almost like the "last wall" has fallen (More on that below).

Most importantly, we're past it now. If Nuke ever has sex again, it won't be such a big deal (nor should it be). The big obstacle has been jumped. And for those who don't like Nuke, well, now the way has been paved for a couple you might like more. Never again will a gay male couple have to go through all this nonsense to merely kiss on daytime. That is a victory.

To be clear, All My Children accomplished the same thing for lesbian sexuality years ago, with Bianca. To see the remarkable intimacy of Reese and Bianca now, it is easy to forget how difficult it was for Bianca to be given on-screen kisses with Lena or Maggie years ago. But, those "outrages" perpetrated, Reese and Bianca are now free to be more openly loving.

The gay male sexuality was an extra hurdle. Make no mistake about it, when Brian Frons says "our lesbians are cuter", he is reflecting the fact that woman-on-woman sex is simply not as taboo anymore. Of course, this plays into the whole straight-male-porn-fantasy. Straight women never seemed to have a parallel enjoyment of gay porn in the mainstream, even though Carrie Bradshaw and the Sex and the City girls seemed to like it.

Indeed, Michael Moore suggested, tongue-in-cheek, in Mike's Election Guide 2008 that if the gay marriage amendments had been about lesbians, they would have readily passed. Showing a picture of two brides-in-veils with interlinked tongues, Moore wrote (pp. 35-36)

I am told that no one is opposed to watching two women kiss. Men love it, women love it, and the women doing it love it -- something for everybody! I don't think it is female-on-female love that has so many people (men) discombobulated. I think when they say they are against gay marriage, what they really mean is that they are against this:

(picture of two men kissing)

Now that is disgusting! Guys going all borkeback on each other--gimme a break! The state can't sanction that!
So, as a sociopolitical act of activism, I honestly believe Nuke is so, so important! Not because it is the first mainstream depiction of gay male sexuality, but maybe because it is the last important one! Let me expand on this by addressing some of the many critiques I have read about the story these last weeks.

This was not a "first". Indeed the whole story shows how locked in a conservative past soaps are.

The core premise, for me, is what Kay Alden meant when she said "Soaps are not an avante garde medium". (She said this at Sam Ford's MIT symposium, in relation to his Masters defense).

Another way I viewed the Nuke sex, specifically, was as "My heavens! There are boinking on homo-sect-choo-als on Aunt Mildred's STORIES!!! On ATWT!!! On one of the two oldest daytime shows! On a show that debuted in the Eisenhower era! On a show with a median viewer age in excess of 60 years! "

Much of the negative commentary about the "innovativeness" of this relates to the fact that Dynasty and Melrose Place and Brothers and Sisters and Hollyoaks and what have you all did it before.

True, that! And AMC has to continue to get credit for really having a core gay character first. (The history is longer, as you can see here).

So, why am I celebrating so much?

ATWT's gay male sex is not necessary the FIRST shoe to drop. Instead, I think Nuke may be interesting because it is the LAST shoe to drop. If we take the conservative, staid, stuck-in-the-past, pander-to-the-mainstream, do-not-inflame soap genre (I don't actually think it is all like that), and THEY have homo-sect-choo-als kissing and more...it is a true marker of culture change.

But in the end, my connection to this tale is more emotional, and it all goes back, again, to the fact that these are Aunt Mildred's STORIES! And now, with the wavy-whisps of an old-school flashback, I'm drawn back into the past... I am sorry this is a ramble, but it shows you that I'm not responding intellectually to this tale....

... what a difference might it have made to young men 30 years ago, if Nuke had been around then. Back in the day when soaps were more truly intergenerational? To show that gay men were decent, loving, respectworthy members of core families. That their mothers and grandmothers and neighbors still loved them, even though they were attracted to the 'wrong' sex. How many doors of healthy conversation and attitude change might it have opened?

[For those who do not believe that the generational experience of coming out is a whole different thing, compare Saul and Kevin on Brothers and Sisters. That is a totally authentic representation of how things have changed.]

Young gay men probably look at Nuke and say "come on! No big deal! We've been here and queer forever! The timidity and forcedness of the Nuke story is so in contrast with our lives".

Maybe.

But man oh man oh man has the world changed!

Someone from my genereation looks at Luke Snyder in AWE! The world has CHANGED! Imagine if, 37 years ago, Phil Brent had been a young gay man on AMC, and the triangle involving Chuck and Tara had been because Phil wanted Chuck! What a different world that would have been!

Even as the world moved along, soaps just DIDN'T. Not in major or significant ways (although that link above shows that some brave souls TRIED).

Now, finally, the "soap train" has arrived at the station. That is a big deal. (The "station", by the way, is the acceptance of gay male sexuality...as I posted earlier...for women it has been futher along).

When I look back on my nearly 44 years (damn, I feel old on this board), I simply cannot tell you how stunning Nuke is. It is truly akin (I know you'll accuse me of aggrandizing) how I imagine some African Americans felt when Obama became president. The world has changed!

All the feelings of things you could never achieve when you were younger...well that ceiling suddenly opens up...and you almost get a feeling of vertigo....imagine if the world had always been thus! How different might life have been?

Thirty years ago, there was NO ROLE MODEL, certainly not on soaps. Think about what Luke IS! He's the white-bread scion of a countrified-citified Oakdale...middle America...no crazy hair or dress or lifestyle. And average fella, he probably shops at malls instead of Soho thrift shops, not "loud and proud"...just a typical guy. (Yes, I know he is a Grimaldi...but I am ignoring that). To SEE THAT EVERY DAY!! EVERY DAY!!! Wow!

That changes the world! At least mine!

From the perspective of "jaded youth" that is well past all of this, I can see how Nuke is nothing special. From the perspective of someone who NEVER THOUGHT this day would come EVER....it is very special indeed.

For me, this is as fundamental as Uhura-Kirk. That interracial kiss was subversive, IMO, not because it was 'first', but because it infiltrated the white-male bastion of SciFi. If you were going to show that kind of 'miscegnation' to THAT audience....well...you had pushed the audience very far. ATWT is a very similar bastion....with a mainstream audience of older, homebound women....mothers of sons who live in environments where it still may not be acceptable to be gay. (You know...Prop 8 voters). Now, every day, even here, they cannot deny the existence of this reality. Maybe, if they don't tune out, they'll see that Luke and Noah are decent and regular. Not perverts or pedophiles or sluts. Just striped-shirt wearing doofuses who go to college. Maybe they will recognize their sons...and judge less harshly, having had their attitudes adjusted, if they sons turn out to be gay too. For all of you who are 'way past' a society that does not accept gay male sexuality, I'm here to remind you that the MAJORITY of people in many areas are NOT 'way past' the issue. ATWT and its ilk can be fundamental tools in the cultural evolution. (That is also why it is important to not yet p*ss those people off and show them sweaty thrusting in a bed. Get them ready in baby steps. That day will come...)

The story was lousy. Nuke was a terrible insta-couple.

This critique points to the origins of the story where, it seems, Luke's unreciprocated attraction to Noah was a little rushed. The basis for the mutual attraction was never firmly established, so -- other than the fact that these are two gay men -- we don't really know why they are together at this point.

I think this is a broader critique of ATWT's writing, and so it is not specific to Nuke. Also, at this point, I really don't think it is fair to call them an "insta-couple". After over two years? INSTACOUPLE?? That just is no longer true. The FOUNDATIONS of the union may be shaky...and I'm not saying this is terrific writing. But honestly, they've earned the right with enough shared history to be more than an insta-couple.

The whole thing was rushed, shoehorned into a single episode. It was almost like "let's get this over with".

The point is that a gay man, who is a member of a core family, whom the audience has been allowed -- more or less -- to see grow up has also been allowed to become a fully embodied sexual being on his show. And that is major. Within the context of this single episode, it was also a good soapy setup -- from the fight in Midtown to the feverish kissing and locking of doors, to the post-coital tenderness. Since ATWT is trying to get us to view the show in a more "episodic" way, this was a good episode vis-a-vis Nuke.

Sex on this particular day made little sense

This is Tom Casiello's point. This love scene didn't get the build-up of some "losing virginity" stories on other shows. Given how long this couple has been denying themselves, why on this random January Monday?

I don't know. I can't defend that choice in particular. But in the real world, people have sex. They don't schedule it for particular days or plan it or announce it with weeks of foreshadowing. They just "throw down". Nuke could no longer deny it.

I actually think it was a beautiful breakthrough for the precipitant of Noah's passion to be Luke's admonition that "You're selfish with your feelings". Finally, finally, Noah had an epiphany. And the forceful way that he kissed Luke was both hot and completely appropriate for the heated conversation that preceded it. So, for me, watching this episode (I confess!) in isolation...it made perfect sense. It seemed like a classic moment of anger-dissolving-into-passion. Indeed, the utter "prototypicality" of that kiss made me happy...Nuke was getting treated like just about every other soap couple. That's all we can ask for.

The scene should have been comparable to what we see with het couples, otherwise gay men are on the "back of the bus"

This "back of the bus" comment showed up on both Usenet, and in a comment to Tom Casiello's piece on this topic.

So, the activist in me says...sure...sweaty naked men kissing all over each other in bed MIGHT WELL have been the more appropriate soap template to use. Except Luke and Noah are young, and soaps typically use a more chaste approach for young sex.

Second, can we remind ourselves of the national realities here? Gay marriage amendments were turned down by the MAJORITY of voters in three states in November 2008. For us to ignore the context in which this story plays out is ... naive. I suspect there is a lot of overlap, for example, between the population that voted against gay marriage and the population that watches P&G soaps.

In addition, P&G/CBS received vociferous protest against Nuke kissing (thank you, Rev. Wildmon)! A scant year ago, there was even a visible kissing ban! P&G/Televest/Telenext/whatever was sufficiently scared that they ran a PHONE POLL to help them decide whether to continue the Nuke tale!

In light of the extreme caution that has been taken so far, why would we now want to engage in a sudden act of sensory 'flooding' and show hot sweaty sex? Baby steps is the key....

I may have a different opinion here. I believe that a softer, more "lamb-like" approach is the right one to take here, given that the majority of Americans is still not comfortable with gay male sexuality.

Let's face it. If I want to watch sex -- gay or straight -- I can find lots of porn on this here old internet.

So, soap sex is ... well ... usually hokey. At its WORST, it is arched backs and sweaty brows and treacly music.

I'm not saying, sometimes, that can't be remarkable to see, but for the most part, I'll pass.

Most of soap sex is off screen. Every married couple on soaps gets to have their sex off screen. And that's fine. I really don't need to to see ATWT's Tom and Margo grunting away fortnightly, or however often they do it .

This was Nuke's FIRST sex. It may get "hotter" as time passes. For me, what is important is that the threshold has been crossed.

Now, EVERY TIME we see those men on screen, America will know that they have seen each other naked, in a lustful way. That new reality suffuses every scene. That is DIFFERENT. That is ground breaking. That is what Monday opened. Two men who are explicitly sexual with each other, on the front burner. Now, when they touch, we will know it is a "knowing" touch...and like Tom and Margo or -- heck -- most days Brad and Katie -- we know they'll follow up on the "touch" later. No longer is this denied.

Once the conservatives catch their breath and stop their puking (men having SEX! how AWFUL!), the next sex scene (whenever it happens) could well be shirtless in bed together kissing. Who knows? Who cares? Again, if we want to see two men in flagrante delicto....well...there are other sites for that.

This is commercial TV! It plays to all kinds of sensibilities. How often are African American characters (the few who exist) given those arched-back scenes? How often are characters over 40 given those scenes? There are all kinds of racist, sexist, ageist and homophobic sensibilities that are being 'considered' as these soaps get put out...that's the reality of an advertiser-supported medium that needs to appeal to the "minivan majority" (ugh).

The fact remains....we KNOW, and we cannot deny, that two men now exist in Oakdale who related to one another fully as loving and sexual beings. That is ENORMOUS. I cannot believe people aren't just jaw-droppingly astounded at how ENORMOUS this is.

There should have been advance publicity

When she was still at SOD/SOW, Carolyn Hinsey expressed this point regarding Nuke's first kiss. Recently, I have seen this opinion expressed -- say -- via the Marlena Delacroix site.

I could not disagree more. I think this publicity is working EXACTLY as it should. Why?

First, again, let us not deny the hordes of protesters. Let us not forget the early 90s, when Thirtysomething lost all advertisers for an episode because two gay men were simply shown in bed together. Why give them an advance warning to get organized?

Second, let us not forget that the method-of-the-day is viral. I defy you, in the modern era, to show me many examples of where advance publicity has had ANY effect on ratings! Genie Francis' returns to General Hospital have been promoted...and there was scarcely a ratings blip. The sole exception to the "benefits of publicity" that I can recall was during the "Sudden Impact" arc on Young and Restless (8/6/2008). There, clever banner ads and some out-of-daypart-and-off-network TV ads did convince lapsed viewers to come back to see the newly re-energized Y&R.

But, for the most part, publicity is irrelevant now.

Instead, Roger Newcomb reports that over 300,000 have watched the Nuke sex on Youtube alone. Who knows how many more people saw it on Fancast or CBS.com, etc.

Those who proclaim the need for publicity are LOCKED IN AN OLD WORLD, where the only way to watch a soap was on TV. "Set your VCR" is an outdated phraseology, even if you substitute the word "DVR". If you miss a show, you can catch it (legally) online, and the network gets to count both the "hit" and the advertising revenue!

Indeed, the lack of advance publicity is BRILLIANT. It teaches viewers they HAVE TO WATCH, or they'll miss it. That avoids a one-day ratings spike (useless), and might encourage return viewership.

Viral, viral, viral, viral.

Whenever you want to complain about a lack of publicity, just remember these phrases: "TV is dead" and "Viral is in". ATWT is playing well to the modern world!

And for those who feel the lack of publicity was "defensive", as in "The network was chicken, and afraid to stir up protest"...well....when everyone is out to get you it is OKAY to be defensive. When you're going to stir up a hornet's nest, it is okay to wear protective gear! That's not cowardly...that's smart!

Sharing ice cream with grandma, post-coitally, was icky and diminished the moment

Yeah, Lucinda coming in the house was a bit icky...but remember that Nuke had sex in a house that they share with half of Oakdale. In that context, given the fracture that occurred between Luke and Lucinda over Brian's hidden sexuality, it was a moment of rapprochement that actually felt very good in light of the preceding tension between them.

MOREOVER, think how radical the scene was!!! Luke and Noah had just exchanged bodily fluids!! They had actively had sex. Even if Lucinda didn't know it, these now fully-embodied sexual young men were sitting next to her, in a moment of healing, eating ice cream. In other words, Luke and Noah's sexuality didn't distinguish them or ostracize them. They could simply co-exist, do normal things, have nice family scenes. Yes, a little post-coital languishing might have been nice...but the normalization and routineness of the Oakdale scene was nice, too.

It reinforced that gay male sexuality did not lead to the end of the World. Indeed, it kept on turning like always. What a terrific message!


Monday, November 24, 2008

Will ATWT Brian's potential be realized?

I was excited to learn about the Brian story on ATWT. First, as Roger Newcomb has said, it is the kind of dysfunctional intergenerational mess that is at the core of soaps and ATWT. To have a gay element to that helps to end the marginalization of the show's "gay storyline".

But there are warning signs that this story is not going to be subtle, nuanced, or authentic. It seems Brian is going to be the sleazy guest villain of this quarter, bilking Lucinda while trying to shag Luke...which is already raising groans of disgust from the soap quarters I visit.

From cbs. com, here is the most recent beat of the story:

Wednesday, November 19, 2008

Lily and Holden visit Lucinda at the hospital, where Lucinda and Brian have just confirmed that they’ll be getting married. Lily is alarmed at the news. Brian goes to call the judge and run some wedding errands as Lily has a moment alone with her mother. Lily explains her concern and Lucinda defends her actions. Lily understands that Lucinda doesn’t want to die alone. Lily wants ­Lucinda to be happy. Brian has Lucinda sign a pre-nuptial agreement to show that there are no strings. He gives her his Princeton class ring and they exchange vows. Lily and Holden are moved. Meanwhile, Noah helps Luke sober up. He gives him coffee at Java, then after Luke starts to insult him, Noah takes him home. Luke doesn’t want Noah to leave, but when Noah does, Luke goes after him. Brian, running home after his wedding to Lucinda to get her some clothes for tomorrow, finds Luke on the road, picks him up and brings him home. Luke cleans himself up but is a total wreck emotionally. Brian consoles him, hugs him, and finally kisses Luke. Luke’s out of it at first, then pulls away and staggers upstairs. Brian is overwhelmed.


Thursday, November 20, 2008

Lily and Holden leave a message for Luke, then go see Lucinda for a wedding breakfast at the hospital. Luke wakes up hung over, flashes to Brian kissing him, and wonders if it really happened. Luke arrives at the hospital to see Brian toasting Lucinda with his parents there. In the corridor, Luke wants to know what the hell Brian’s doing. Brian plays it off, says he comes from an expressive family, and doesn’t want Luke to ruin this for his grandmother. Luke tries to tell Lily that this marriage is a mistake but she too wants Luke to let Lucinda be happy. Later, Brian and Lucinda exchange wedding bands as an upset Luke watches through the window.


Brian's denial and inauthenticity makes some fear that this is going to go in an almost-incest direction, where Brian tries to pluck the cherry from Luke's tender young tree, but then blackmails him (or whatever) into silence. If that is the tale...that's kind of yech.

It seems to me recent real life offers all kinds of really deep, moving possibilities for this story. I hope they have the courage to go in that direction.

1. Ted Haggard (villain storyline, wrapped up in fundamentalism and conservatism...plausible for a "foundation manager" or whatever) Haggard is particularly villainous because (a) he won't own up to his homosexuality, even when caught AND [cue standard fundamentalist narrative] (b) he claims he was "warped" by early sexual abuse that took 40 years to "ripen"

Excerpt:

Earlier this month, a guest took the pulpit at Open Bible Fellowship in Morrison, Ill., a 350-member church surrounded by cornfields. The speaker was an insurance salesman from Colorado named Ted Haggard.

The former superstar pastor, disgraced two years ago in a sex-and- drugs scandal, had returned — this time as a Christian businessman preaching a message that was equal parts contrition and defiance. *Haggard linked his fall to being molested in second grade and apologized again.*

Haggard, 52, resigned as president of the 30 million-member National Association of Evangelicals and was fired from New Life Church amid allegations that he *paid a male prostitute for sex and used methamphetamine*.

Haggard said in 2006 he *bought the drugs but never used them*, confessed to *"sexual immorality"* and described struggling with a *"dark and repulsive"* side. He had risen from preaching in his basement to taking part in White House conference calls — and fallen so far that he became a late-night punch line.

He apologized for making his family suffer, acknowledged suicidal thoughts and chastised church leaders for missing an opportunity to use his scandal to "communicate the gospel worldwide." Haggard said he emerged with a *stronger Christian faith and marriage* than he'd ever had.


2. James McGreevey (a little more complex; probably not too much different from Haggard, although he ultimately acknowledged that he had been denying his homosexuality). But no matter what you think of him, READ how he writes about this. He talks about incorporating inauthenticity into his personality, and about that actually helping him in politics. He also talks about how he consistently made choices to deny his identity. Finally, he talks about the compartmentalization that make it all work for him. I'm here to say that is 100% gospel...that is NOT a set of bullsh*t excuses. That is the elaborate fiction such men create...and that is totally what Brian could be. With good writing....

Excerpt:

I’ve never been much for self-revelation. In two decades of public life, I always approached the limelight with extreme caution. Not that I kept my personal life off-limits; rather, the personal life I put on display was a blend of fact and fiction. I invented overlapping narratives about who I was, and contrived backstories that played better not just in the ballot box but in my own mind. And then, to the best of my ability, I tried to be the man in those stories.

In this way I’m not at all unique.* Inauthenticity is endemic in American politics today. *

*Ironically, the dividing experience of my sexuality helped me thrive in that environment*. As I climbed the electoral ladder—from state assemblyman to mayor of Woodbridge and finally to governor of New Jersey—*political compromises came easy to me because I’d learned how to keep a part of myself innocent of them. I kept a steel wall around my moral and sexual instincts*—protecting them, I thought, from the threats of the real world. This gave me a tremendous advantage in politics, if not in my soul. The true me, my spiritual core, slipped further and further from reach.

There were moments when the ripping misery of this life became too great, moments when I thought about “becoming gay” and all that that entails.

My political potential was enormous. *I think I decided that my ambition would give me more pleasure than integration, than true love*. Coming to this realization made me feel not suicidal, exactly, but morose. It’s hard to describe how it feels to surrender your soul to your ambition.

Among other things, I was anxious about marrying Dina. I had met her at a campaign event—she was an uncommonly beautiful 31-year-old blonde in a red double-breasted suit. When the event was over I walked her out to her car and kissed her. *I’m still not sure what made me do it. Loneliness, I suppose. Maybe she just seemed like the perfect politician’s wife; it might have been that self-serving. Our romantic life was troubled from the start, but I loved her deeply as a friend and companion. And I did believe I was offering her some things she truly coveted: the stability of marriage, the prospect of a loving family, a chance to share a life of public service, political excitement in spades*.

3. Aaron. A married gay man, who has been honest with his wife. The thing is...he loves his wife, but he's gay. He wants to stay with his family, parent his child, and remain true to his (deep) faith. He struggles everyday with how to resolve the contradictions.

He calls his life "Paysage choisi", which means "chosen landscape".

Excerpt #1:

The name of this blog ("paysage choisi") comes from a poem by the 19th century French poet Paul Verlaine, which is in a collection called Fêtes galantes inspired by Watteau’s rococo paintings. Verlaine’s words have been set to music more than once, but it is Fauré’s setting that has been going through my head a lot lately. *I find the themes in the poem very close to home: wearing masks, going through the motions, hiding sadness, life’s sad beauty*.

Excerpt #2:

*Coming out of the closet and staying in the house*

I have been inching out of the closet for a long time now. I came out to my wife in a moment of crisis eight years ago, and her loving support and empathy were amazing. I think we both thought at the time that simply removing that secret from between us would strengthen our relationship and everything would be fine.

Although I had already begun the process of shedding the sense of shame I had been carrying so long, the experience of talking freely with the therapist, a gay man himself, was incredibly liberating. At the first session, he asked me where I wanted to go with the therapy — what my goal was — and I realized that I didn’t know.*I explained that I felt fully committed to my marriage and that this was about my inner journey of accepting myself*.

Strangely, though, in parallel with the sense of exhilaration I have felt as I have begun to be freed from the burdens of guilt, shame and self-doubt, I have also felt an increasing sense of isolation and loneliness. *For various reasons, I have been reluctant to find opportunities to meet other gay men. Yet my need to do so is like a lead weight on my chest. This feels like another barrier — another closet door*.

When most gay men come out of the closet, they are making a statement not only about who they are, but also about who they love and how they live. For me, though, it’s really just about what goes on in my head. And that seems somehow less significant and more private — not the sort of thing you share with most people. So, is it possible to come out of the closet and stay in the house? I think so, but I’m still trying to work out how.

Friday, November 7, 2008

Change? Hope? Not for everyone...

This posting is soap-relevant, I promise! It just takes a minute to get there :).

The election of Barack Obama has been heralded in many corners, as a positive sign of the evolution of America. Tolerance of racial diversity. Tolerance for a progressive social agenda. Adoption of a more conciliatory international stance. A liberal agenda that understands the need to spread opportunity to more people. Alas, there is a fly in this happy ointment.

The passage of a number of "defense-of-marriage" constitutional amendments (commonly referred to as anti-gay-marriage votes), including in a state as progressive as California, suggests that there is much more evolution to occur. As I write this:

  • In California, Proposition 8 (Ban on Gay Marriage) received 5,424,916 "yes" votes (52%) and 4,932,086 "no" votes. Lest we think this somehow suggests California is universally conservative, the same percentage (52%) voted AGAINST abortion limits.
  • In Arizona, Proposition 102 (Ban on Gay Marriage) received 1,078,495 "yes" votes (56%) and 835,013 "no" votes (44%).
  • In Florida, Amendment 2 (Ban on Gay Marriage) received 4,755,789 "yes" votes (62%) and 2,913,740 "no" votes (38%).
So, I won't go off on a soapbox here, about how vile this is. I won't mention that is suggests civil rights remains a joke for gay and straight couples who want to commit to and love each other outside of marriage.

What I will mention is these election results were no "poll". This is not a random selection of individuals, some small panel that we're not sure is representative of some larger population. This IS the population. Adding in the results from the 2004 Federal election, gay marriage bans have been supported more often than not. What that tells us is that -- even in a year where voters were willing not to ban abortion and to elect a person of color -- majority opinion is STILL against LGBT men and women.

How does this relate to soaps?

Well, as I write this, ATWT's Nuke STILL has not had sex. The latest obstacle to their union concerns a school election in which Luke stuffed the ballot box. Noah "can't lie" to protect Luke...so it is clear the relationship is about to go through a rough patch. Objective viewers know this is just the latest in a string of unending obstacles for our boys. On the heels of a long dry spell before the men could start kissing, and Procter and Gamble phone poll about whether they SHOULD be on the show....it has been a long period of frustration for viewers who wanted an honest portrayal of gay male sexuality. Not lascivious, but honest.

Suddenly, in the bright light of these polls, P&G's conservatism doesn't seem quite so malevolent. Indeed...it seems almost wisely self-protective. If the MAJORITY of otherwise progressive men and women in America still can't stand the thought of same sex unions...they surely don't want to see it on their TV screens. In the same week, Grey's Anatomy abruptly scuttled a lesbian relationship. All My Children, mercifully, seems to be doing a decent job with Bianca's latest story and relationship.

For some time, a number of us have been angry at P&G for, apparently, timidity in the portrayal of Nuke as a couple. Suddenly, P&G seems awfully courageous to me. America, apparently, doesn't want to acknowledge, condone, or support the existence of committed same-sex unions.

In the end, I think I've stopped being angry. Now, I'm just sad. It's funny how, on the heels of the Obama victory, I end up feeling more like "no change, no hope". In that context, I'll take Nuke in any form I can get it. It's practically an act of sedition, apparently, that they are even allowed to exist.

Monday, July 21, 2008

Is ATWT's Nuke a squandered opportunity?

Roger Newcomb linked a really nice post about the Nuke controversy. I liked it because it took a balanced view:

There’s also the realistic and tender side of As The World Turns. It’s found in the several other plots, including the love story of Luke and Noah. I’ve been trying to find my equilibrium since the writers opened up the issue of Luke’s sexuality. Luke has always been a dear character, in my book. He is, after all, the son of Damiangodofallmen Grimaldi - I remember Damian as he was, not the loser of a guy the writers transformed him into. With Luke’s coming out, I was fearfully sure the writers would take the same path with him that most daytime writers have taken with almost every other character who’s come out of the closet. Hank Elliot.

When I look at the difference between Hank Elliot’s storyline and Luke’s I am amazed. There’s such a sensitivity and care about developing Luke and Noah as people, not just ‘gay young adults’. For veteran soap viewers like myself, this is the gradual unfolding of a love story, the kind soap writers were once capable of penning. For other soap viewers, this storyline is at a standstill. Luke and Noah aren’t moving as quickly as other daytime couples. For me, it’s the fast moving couples that are the problem, but I understand the frustration. There have to be questions about why the writers have taken more time to advance this couple:

The author goes on to advance some great hypotheses about why the Nuke story has played out the way it has. Some of it is obvious (the P&G-homophobia/fear-of-AFA argument that has been discussed everywhere). Some of it is unlikely (Nuke too young for sex? Not with Parker kissing like a fool. Writers trying to script old fashioned romance? Yeah, right). But there is also an intriguing "sensitivity" argument: "Is there are greater sensitivity to Loah/Nuke becuase they’re sexual minorities and the writers are afraid of advancing stereotypes? I think it’s possible that there’s some merit to this one. The writers have not only kept the storyline around, but have found ways to deepen the commitment the two have for one another. "

Okay...but here's the thing.

I visit a lot of soap boards. Too many. And with rare exceptions (so rare I can name them), I mostly get four reactions to Nuke.

a. "I never liked Nuke. They were pushed before they were even really on screen. This is a homosexual agenda". Do with that what you want.

b. "The depiction of young male sexuality is SO unrealistic, I cannot invest in this tale". This goes beyond not kissing...because they do now. This is about the fact that they are not sexually satisfying each other. Most viewers acknowledge it doesn't have to happen on screen--this is NOT about voyeurism--but that it doesn't happen...

Noah was about to "ship off" to Iraq...and STILL he and Luke couldn't even -- forgive my language -- give a hand job or something?

c. I'd stick around for Nuke, but the REST of the show is so vile, this is only too much junk.

d. Go Nuke! Finally something that shows some element of the real gay experience with a member of a core family. Be happy that--even if this is a baby step--it is a real step.

In my more rational moments, I'm a "d". But I gotta tell you, that is a rare sentiment...and I see a lot more of a, b, c.

Here is my hope: Nuke opened the door. Noah's behavior has made many of us dislike him and think he needs to grow up.

So, for ATWT, I'd send Noah away, and give Luke a chance at a fresh, mature love--DEPICTED HONESTLY. (Think Brother and Sisters).

And for the NEXT soap (I personally hope it is B&B), use the door that Nuke bust open, and do it right--fearlessly (not Passions-fearlessly, but fearlessly) the next time.

As trailblazers, no matter what the future brings, Nuke, ATWT, and the actors have garnered my eternal gratitude for the big step they have taken...even if ultimately it was not quite big enough--or too big--for many in the audience.