Showing posts with label Sabrina. Show all posts
Showing posts with label Sabrina. Show all posts

Sunday, April 26, 2009

Y&R: "Rating" the headwriters

[Click on the link below to see the full version, if it is trucated]

ETA. SON User Paul Raven was able to give me 1999 ratings, which fleshes out data for Kay Alden. The pattern of data was identical to what I had published in an earlier draft, but it gives me more confidence in the Alden results.

Photobucket

Last week at Daytime Confidential, writer Jamey Giddens wrote an eloquent review of Tom Casiello's first breakdown at Y&R. It was a terrific review, and I agree with almost all of it.

But a funny thing happened in the comment thread. Jamey and a user named Monamis got into a debate about the relative impact of Lynn Latham on the ratings. Monamis points out things really went south with current headwriter (HW) Maria Arena Bell took over, but Jamey Giddens argues that Latham lost a million viewers.

What is the truth? Well, it sounds like a data analysis, and that's my thing.

Here is what I did. I wanted to go back to the start of Kay Alden's regime as solo Headwriter, but Toups' ratings archive at Soap Opera Network only gives me weekly ratings as far back as 2000. Okay, I'd start there.

Because different tenures lasted different periods of time, I thought I should post average weekly changes. These represent the slope coefficients that result when the household (HH) ratings are regressed on week. They represent the single best way to express ratings change in a common metric, despite the varying writing tenures on the show.

The figure at the top illustrates the data graphically. You can see that, as always, there was a lot of week to week variability. So, I am just extracting the linear trends from these data.

I divided the tenures this way:

Alden = Alden solo, before the arrival of Jack Smith
Smith = any period after Smith returned to the show, but before Latham joined
Latham = any period after she was formally named HW, even while Alden and Smith were still there
ArenaBell&Griffith = the disastrous (for ratings) period that began with the WGA writer's strike of 2007, and continued until Griffith's ouster in early 2008
ArenaBell = the post-Griffith period, in which she led a team that included Hogan Sheffer, Scott Hamner, and mahy others.

I further broke Latham's tenure into two pieces. 2006 was when she still had the legacy team (Alden, Smith, Ed Scott and many others) for most of it, and 2007, when she essentially had absolute control over her team without any "legacy" interference.

The table looks like this:





































HW regime
Average weekly HH ratings change
Kay Alden
-0.010
Jack Smith with Kay Alden
-0.004
Lynn Latham (overall)
-0.003
Lynn Latham (2006 with legacy team)
+0.001
Lynn Latham (2007 without legacy team)
-0.006
Arena Bell/Griffth
-0.028
Arena Bell
+0.004



What do these numbers show?

It means the worst regime for the show was that Arena Bell/Griffth collaboration, that coincided with the WGA writer's strike and the sudde dismissal of Lynn Latham. Story-wise, the rushed introduction of Sabrina and her whirlwind romance with Victor seems to caused so much disgust that viewers tuned out in droves.

Alden's solo regime was next in problematic ratings. On average, she lost about 0.5 HH ratings points a year, which is a lot.

What that means is that the most disastrous period in the Toups/SON ratings archive is the several month period in which Arena Bell was writing with Josh Griffith. During this period, which encompassed the writer's strike and brief period thereafter, there were non-trivial declines on a week-by-week basis. "Bleeding". Many internet bloggers/message boarders blame this on the "damaged ground" that these writers inherited from Latham, but the descent was so precipitous, I have to believe that the introduction the much-younger Sabrina and Victor's whirlwind romance with her provoked a "disgust" response that led to massive tuneout.

More impressive is that in the time since Griffith left, Arena has actually stemmed the bleeding, and she is the only HW since Bill Bell to show ratings GROWTH.Now the growth is actually fairly anemic (.004 HH ratings points per week, on average), but in this climate, any growth is breath-taking.

Ratings-wise, the second-most difficult period in the post-Bell era was Kay Alden's solo regime, at least in the period beginning with 2000. Every ten weeks, on average, the show could be expected to lose 0.1 ratings points, or about 0.5 ratings points a year.

It seems that Alden's collaboration with Smith stemmed the tide...during this period, a much slower rate of decline set in.

And here is where it gets interesting. Latham was brough into shake things up. But, overall, her weekly rate of ratings decline (-.003) was only trivially different from the Smith & Alden era. She was not any more destructive to the ratings than her predecessors, but she was also not helpful. The truth, of course, is that Latham's era can be broken into "early Latham" and "late Latham", with these distinguished by when she had Alden/Smith/Scott around and when she didn't. If you compare these periods (roughly delimited by 2006 versus 2007), you find this:

In 2006, Latham and the legacy team achieved a weekly ratings change, on average of +.001...or slight gain. But in 2007, when Latham was solo (i.e., no legacy team) her ratings changed, on average, to a weekly decline of -.006!

Thus, Latham-solo was almost as negative as Alden solo.

Jack Smith's addition did stem the flow, and the rate of decline was much slower...but continuous. Interestingly, overall, Latham's weekly rate of decline was almost identical to Smith's, even though she was brought in to "fix things up". Ironically, a closer examination shows that when she worked with Alden/Smith and other legacy team members, she was actually experiencing slight ratings gain. But, once she let go of the team, her solo rate of decline was actually almost twice as bad as that experienced by Jack Smith.

The optimistic closer, of course, is Maria Arena Bell's current trend, which is actually positive. There has been a slow but steady very slight ratings gain. A little hope for the future....

Thursday, August 7, 2008

Y&R 8/6/2008, How Can I Keep From Singing?



The post title technically refers to a hymn played on today's Y&R...but in truth it reflects how good I feel about my show right now. The slide montage that graces the top of this post/blog comes from the ending montage of that episode, and the song comes from the soundtrack. Young Jamia (Ana) first sings the hymn...so we know what it is and what it means. Then, the instruments take over and give us images for the ages.

What all makes this episode great?

1. Kay giving Jesus a talking to. Loved it! "When you finally come for me," she chides the Lord, "We're going to have a long talk."



2. Adam is all the more compelling when he is seething. The writers now understand that we want to FEEL our characters. To that end, the actual and previewed conflicts with Nick were spine tingling.

3. Nikki and her fight for sobriety is...okay....I hope she either does or doesn't soon. ON THE OTHER HAND, dumping David's ashes in a wheelbarrow full of (pardon my friend) horse sh*t was a thing of beauty. This was AS iconic as, over a decade earlier, David Kimble meeting his maker in a trash compactor.

4. My heart was strangely warmed by the nice way that Michael asked Kevin to ride with him to the prison (to maybe meet his daddy), and how nicely Kevin went along. I'm glad Terrible Tom was again mentioned. Today reminded me of HIS ashes (disposal!!) and his still-unopened safe deposit box.

5. Surprises for me: Victor on a bus to/in Mexico. That sideways shot through the open window vaguely reminded me of Y&R's debut (when Brad Elliot rode a dusty pickup--as a hitchhiker--en route to Genoa City)

6. That ending montage. I loved the music, I loved the set pieces...each set up with real craftspersonship:

- Victor at the graveside with a single flower
- Adam and his cell phone, remembering his dead friend Skye
- Kay seeing Nikki's open AA book and cross
- Nikki, ashes, and horseshit (!!!!!!!!!! GO GIRL!!!!!!!!!!!!)
- Victor on the bus
- Sabrina's drawing

==

Now, the hymn moved me, so I was inspired to do some research.

That beautiful, beautiful instrumental piece was deeply moving to me, and wonderfully framed the montage with its combination of melancholy and soaring. Sentimental and melodramatic? Sure. But I watch soaps, so....

Now, dramatically, I understand the structure of those final scenes better. Ana's song gave us the lyrics and the explicit meaning of the song. Then, the montage imbued it with feeling as we watched our many "loved ones" (the Genuvians) go through their "endless lamentations".

Now, knowing this, I did some exploration. You may all know this, or not care, but to me it was interesting. Wikipedia says:

"How Can I Keep From Singing?" (listed in some hymnals by the opening line "My Life Flows On") is a Christian hymn written by American Baptist minister Robert Wadsworth Lowry in 1860. The original composition has now entered into the public domain. The song is frequently cited incorrectly as a traditional Quaker hymn.

Pete Seeger learned a version of this song from Doris Plenn, who had it from her North Carolina family. His version made this song fairly well known in the folk revival of the 1960s. Seeger's version omits much of the Christian wording of the original, and adds a verse. Most folk singers, including Enya, have followed Seeger's version.

The song received new prominence in 1991 when Irish singer Enya released a recording of the hymn on her album Shepherd Moons. It was also released as a single in the same year, with Oíche Chiún and 'S Fagaim Mo Bhaile appearing as additional tracks.

It is also sung by Dahlia Malloy (Minnie Driver) in the episode 'Virgin Territory' from Season One of FX's The Riches.


The original Christian lyrics are

My life flows on in endless song;
Above earth’s lamentation
I hear the sweet though far off hymn
That hails a new creation:
Through all the tumult and the strife
I hear the music ringing;
It finds an echo in my soul—
How can I keep from singing?

What though my joys and comforts die?
The Lord my Savior liveth;
What though the darkness gather round!
Songs in the night He giveth:
No storm can shake my inmost calm
While to that refuge clinging;
Since Christ is Lord of Heav’n and earth,
How can I keep from singing?

I lift mine eyes; the cloud grows thin;
I see the blue above it;
And day by day this pathway smoothes
Since first I learned to love it:
The peace of Christ makes fresh my heart,
A fountain ever springing:
All things are mine since I am His—
How can I keep from singing?

The Seeger lyrics are

My life flows on in endless song
Above earth's lamentation.
I hear the real, thought far off hymn
That hails the new creation
Above the tumult and the strife,
I hear the music ringing;
It sounds an echo in my soul
How can I keep from singing?

What through the tempest loudly roars,
I hear the truth, it liveth.
What through the darkness round me close,
Songs in the night it giveth.
No storm can shake my inmost calm
While to that rock I'm clinging.
Since love is lord of Heaven and earth
How can I keep from singing?

When tyrants tremble, sick with fear,
And hear their death-knell ringing,
When friends rejoice both far and near,
How can I keep from singing?
In prison cell and dungeon vile
Our thoughts to them are winging.
When friends by shame are undefiled,
How can I keep from singing?

Saturday, June 21, 2008

Is DISGUST the emotion fueling ratings loss?

In May-June 2008, Y&R was undergoing a precipitous drop, going from an already low household rating of about 4.0 to a new mean of 3.5 or lower...all in the span of a month or so. This seemed odd...Lynn Latham's last show was 12/24/07...so why would it take so long for the ratings to decline?

Indeed, PJA of SON asserted "Y&R ratings are falling because the current writers are doing a poor job not because of LML."

I just don't think it is that simple, but I have no evidence to disprove your conjecture.

Especially Y&R, with the oldest and biggest audience, should have the biggest proportion of people who "stick through thick and thin".

The massive viewer abandonment of the last few weeks implies that they were ready to leave. If you do not assume that is because LML created a new cohort of more fickle viewers (see an earlier post up-thread), then you have to assume it is because the viewers were "softened"...gotten ready to leave. I read this as JP's hypothesis. There is a cumulative disgust...but it has to get to a certain point before you're ready to tune out. LML got people near the threshhold, and then MAB walked them over it.

Now, to this I add: A lot of us have been blaming the glacial storytelling...the absence of momentum.

I don't think that is what is doing it.

Based on several informal conversations, the near universal comment that is being made is that viewers CANNOT STAND VICTOR AND SABRINA.

Every scene in which he kisses her, carries her up the stairs, they coo French to each other, etc....leads to disgust. I mean really, virulent physical disgust of the type that people turn off the TV.

(I don't have that reaction, but this couple is earning REAL hatred). Because the couple is producing DISGUST (that is a rare emotion for a soap couple to generate)...disgust is the most dangerous emotion. DISGUST is the emotion that makes people walk away from their show.

If my thesis is right, we should see the ALL TIME lowest ratings in the weeks to come. For example, if Victor and Sabrina were ever to marry...I think LEGIONS of fans would switch off.

So, I am now predicting that Y&R will continue to fall...ESPECIALLY in the third week of June. If that happens, it will help confirm that Victor-Sabrina disgust is driving a large portion of viewer defections.

In that case, the only thing that could possibly win fans back is a MASSIVE marketing campaign in which they reveal Sabrina to be an evil art thief, who has totally screwed Victor over. So diabolical, she planned this for years, befriending Vikki in Italy. So cunning, she is revealed to be as the FIRST person to TRULY bring Victor down.

That, I think, might bring disgusted viewers back. They'd love to see Victor eat crow, be humiliated. Sadly, Eric Braeden will refuse to play it, even if it saves the show. If the creative team offered Braeden a followup revenge storyline (in which he hunts the globe trying to apprehend and destroy Sabrina), he might do it...and that might grow viewers.